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Meet the Team
Lynn Bailey – Director / Studio Manager / Technical Support / Tutor
Originally trained in conservation of prints and drawings, I have a solid foundation in the traditional techniques of the ‘old masters’. A BA in Fine Art led to co-founding Double Elephant Print Workshop in 1997. I enjoy experimenting with environmentally ‘friendly’ materials and combining many printmaking techniques in my artwork. I am also a member of the Devon Guild of Craftsmen.
George Barron – Screenprint Technician / Tutor
Illustration and Printmaking is the main focus of my career. It taught me the value of being expressive whilst having the focus of a brief, and it allows me to combine the freedom of fine art with the structure of graphic design. I relish working with a range of media, creating collages, and often use historical imagery in my work, bring it into a contemporary arena. I have worked for most of my career in London and NYC, always being drawn back to working here in Devon.
Catherine Cartwright – Outreach & Education Coordinator / Director / Tutor
My artist practice is print-based and includes collaboration with other art-forms; animation, dance, art action. Human rights issues are often explored through my work.
I am passionate about education and access to the arts for everyone. I have a Masters in Museum and Gallery Education and my past employment includes roles at the Ashmolean Museum and Exeter Phoenix.
Fiona Lovell – Outreach Coordinator
I joined Double Elephant shortly after completing a Fine Art Degree in 2010 and have been experimenting with print since. Having helped to deliver a wide range of workshops, I have now taken on the role of Outreach Coordinator. Working with people of all ages, abilities and needs is very satisfying and energising and its impact goes beyond artistic realm.
Claire Binden – Business Director
Claire has been with Double Elephant since 2009. Her role focuses on developing the financial and business side of Double Elephant’s operation, and includes communications, project management and partnership working. Prior to joining Double Elephant, Claire worked for a long time in theatre and education.
Simon Ripley – Director / Tutor
A co-founder of Double Elephant, Simon studied Fine Art at Plymouth University. His prints are mostly wood and linocut working in with an abstract approach that explores memory. He comes from a family of printers – his grandfather having established a commercial label printers based in Leicester.
Suzanne Ross – Director
I studied Printed Textile Design at university which led to work within the fashion industry designing prints for womenswear. I have been involved with Double Elephant since 2009 delivering workshops and worked as screenprint technician and outreach coordinator. I completed my PGCE in 2011 in Design and Technology, and since then have taught children and adults print workshops, specialising in screen printing. I am particularly interested in combining digital processes with traditional print making techniques.
Jeremy Speck – Director / Technical Support / Tutor
I have been a printmaker for roughly 8 years after a brief career as a Librarian. I specialise in relief printing although I am now trying to move into other techniques. My main inspiration comes from British 20th century art, particularly the work of the St Ives school.
Nicola Thomas – Director
I’m based at the University of Exeter and work as an Associate Professor in Cultural and Historical Geography. I’ve spent the last decade researching regional creative economies thinking about how the creative economy works outside of large urban centres. I have specialised in the craft sector, thinking about craft collectives and their role in supporting the livelihoods of practitioners and the creative communities around them. My work is very engaged, working in partnership with organisations including the Devon Guild of Craftsmen, Gloucestershire Guild of Craftsmen, the Heritage Craft Association, Leach Pottery and the Crafts Council.
Paula Youens – Director
Studied Graphics & Illustration in Exeter followed by a freelance career with national newspapers & magazines in London. A late-comer to printmaking, drawing & mark-making inform all of my projects. Despite a traditional base, print is open to many modern materials & approaches. That’s the attraction.